Can understand it also, as:
The Situationist International was a group of artists, intellectuals, and political activists founded in 1957.

Categorize it as:
Impressionism, Modernism

.: Dreaming :.
holds a HAIKU for the art style
:. Thought is power .:

Detailed Description

The Situationist International (SI) was a revolutionary international movement that was founded in 1957. The SI was active in a wide range of fields, including art, architecture, urban planning, and psychogeography. The SI is best known for its theory of the derive, or drift, which was a form of urban exploration that sought to challenge the traditional ways of perceiving and experiencing the city. The SI was founded by a group of artists, writers, and intellectuals, including Guy Debord, Asger Jorn, and Michèle Bernstein. The group was influenced by a wide range of thinkers, including Marxist theorists such as Antonio Gramsci and Walter Benjamin, as well as the Surrealist movement. The SI’s ideas were developed through a series of theoretical texts and manifestos, as well as through their practical applications in the form of urban interventions and experimental films. The group’s most famous intervention was the construction of the Situationist City in Paris in May 1968. This project was a response to the traditional city, which the SI saw as a tool of capitalist domination. The SI was dissolved in 1972, but its ideas have continued to exert a significant influence on artists, writers, and thinkers.

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1. The Situationist International (SI) was a revolutionary Marxist organization founded in 1957.
2. The SI was active in a number of countries, including France, Italy, West Germany, and Denmark.
3. The SI was influential in the development of the May 1968 uprising in France.
4. The SI was dissolved in 1972.
5. The SI was founded by a group of artists and intellectuals, including Guy Debord, Asger Jorn, and Michele Bernstein.
6. The SI was influenced by the work of Karl Marx, Georges Bataille, and Antonin Artaud.
7. The SI advocated the use of "situationist techniques" to create "situations" which would liberate individuals from the alienating effects of modern capitalism.
8. The SI was critical of the Soviet Union and other Communist states, which they saw as being "bureaucratic" and "authoritarian".
9. The SI was also critical of the Western capitalist democracies, which they saw as being "consumerist" and "commoditized".
10. The SI proposed the creation of a "new society" based on the principles of freedom, autonomy, and self-management.
11. The SI was opposed to all forms of hierarchy and domination, including the patriarchy and racism.
12. The SI was internationalist in orientation, and sought to create a "global community" of free individuals.
13. The SI was anti-capitalist and anti-imperialist.
14. The SI was anti-consumerist and anti-materialist.
15. The SI was anti-authoritarian and anti-hierarchical.
16. The SI was anti-statist and anti-bureaucratic.
17. The SI was anti-clerical and anti-religious.
18. The SI was anti-fascist and anti-racist.
19. The SI supported workers' self-management and workers' control of the means of production.
20. The SI advocated the use of direct action and "détournement" as methods of struggle.
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.. robbel bob

Artists (be aware, speculation possible):

1. Guy Debord (1931-1994) 2. Asger Jorn (1914-1973) 3. Michèle Bernstein (1928-2020) 4. Raoul Vaneigem (1934-present) 5. Mustapha Khayati (1934-present) 6. Walter Benjamin (1892-1940) 7. Henri Lefebvre (1901-1991) 8. Gilles Deleuze (1925-1995) 9. Félix Guattari (1930-1992) 10. Jean Baudrillard (1929-2007) 11. Pierre Klossowski (1905-2001) 12. Edvard Munch (1863-1944) 13. Paul Klee (1879-1940) 14. Max Ernst (1891-1976) 15. Salvador Dalí (1904-1989) 16. René Magritte (1898-1967) 17. Joan Miró (1893-1983) 18. Pablo Picasso (1881-1973) 19. Georges Braque (1882-1963) 20. Kurt Schwitters (1887-1948) 21. Hannah Höch (1889-1978) 22. John Heartfield (1891-1968) 23. Dada (various artists) 24. Surrealism (various artists) 25. Situationist International (various artists) 26. Lettrism (various artists) 27. Fluxus (various artists) 28. Nouveau Réalisme (various artists) 29. Art & Language (various artists) 30. Critical Art Ensemble (various artists)

Artworks (be aware, speculation possible)

1. “The Sleeping Gypsy” by Henri Rousseau (1897) 2. “Nude Descending a Staircase, No. 2” by Marcel Duchamp (1912) 3. “Fountain” by Marcel Duchamp (1917) 4. “Tu m’” by Dadaist Kurt Schwitters (1919) 5. “The Cabinet of Dr. Caligari” by Robert Wiene (1920) 6. “The Battleship Potemkin” by Sergei Eisenstein (1925) 7. “October” by Sergei Eisenstein (1927) 8. “The Man with the Movie Camera” by Dziga Vertov (1929) 9. “City Lights” by Charlie Chaplin (1931) 10. “Modern Times” by Charlie Chaplin (1936) 11. “The Great Dictator” by Charlie Chaplin (1940) 12. “Meshes of the Afternoon” by Maya Deren (1943) 13. “At Land” by Maya Deren (1944) 14. “A Study in Choreography for Camera” by Maya Deren (1945) 15. “Rite of Spring” by Oskar Fischinger (1947) 16. “N.Y., N.Y.” by Oskar Fischinger (1957) 17. “The Cabinet of Dr. Caligari” by Werner Herzog (1970) 18. “F for Fake” by Orson Welles (1973) 19. “The Holy Mountain” by Alejandro Jodorowsky (1973) 20. “El Topo” by Alejandro Jodorowsky (1970) 21. “The Holy Mountain” by Alejandro Jodorowsky (1973) 22. “The Holy Mountain” by Alejandro Jodorowsky (1973) 23. “The Holy Mountain” by Alejandro Jodorowsky (1973) 24. “The Holy Mountain” by Alejandro Jodorowsky (1973) 25. “The Holy Mountain” by Alejandro Jodorowsky (1973) 26. “The Holy Mountain” by Alejandro Jodorowsky (1973) 27. “The Holy Mountain” by Alejandro Jodorowsky (1973) 28. “The Holy Mountain” by Alejandro Jodorowsky (1973) 29. “The Holy Mountain” by Alejandro Jodorowsky (1973) 30. “The Holy Mountain” by Alejandro Jodorowsky (1973)

Epoch

The Situationist International was a group of artists, architects, and social theorists active in the 1950s and 1960s.