Camcorder Effect :.

Camcorder Effect

Outline:

Brief Introduction and Quickfacts
Detailed Description
Artists and Paintings
More Examples – defined visual appearance
Tools for digitial artists, prompters and word smiths

Overview and quickfacts

The Camcorder Effect is a digital art style that simulates the look of a video camera. It is characterized by its use of strong colors, high contrast, and sharp edges. This style is often used to create a retro or vintage look.

The art style is also known as: Video camera, cam, web cam, digital camera
Categories: Impressionism, Modernism

1. Andy Warhol (1928-1987) 2. Roy Lichtenstein (1923-1997) 3. Gerhard Richter (1932-) 4. Ed Ruscha (1937-) 5. Richard Hamilton (1922-2011) 6. Robert Rauschenberg (1925-2008) 7. Jasper Johns (1930-) 8. Yoko Ono (1933-) 9. John Cage (1912-1992) 10. Marcel Duchamp (1887-1968) 11. Dada ( various artists, dates unknown) 12. Surrealism ( various artists, dates unknown) 13. Pop Art ( various artists, dates unknown) 14. Op Art ( various artists, dates unknown) 15. Kinetic Art ( various artists, dates unknown) 16. Earth Art ( various artists, dates unknown) 17. Conceptual Art ( various artists, dates unknown) 18. Installation Art ( various artists, dates unknown) 19. Performance Art ( various artists, dates unknown) 20. Video Art ( various artists, dates unknown) 21. Photorealism ( various artists, dates unknown) 22. Neo-Expressionism ( various artists, dates unknown) 23. Feminist Art ( various artists, dates unknown) 24. African-American Art ( various artists, dates unknown) 25. Native American Art ( various artists, dates unknown) 26. Asian Art ( various artists, dates unknown) 27. European Art ( various artists, dates unknown) 28. Latin American Art ( various artists, dates unknown) 29. Middle Eastern Art ( various artists, dates unknown) 30. Oceanic Art ( various artists, dates unknown)

1. The Hay Wagon, by American painter Andrew Wyeth (1937) 2. Christina’s World, by American painter Andrew Wyeth (1948) 3. The Charnel House, by American painter Andrew Wyeth (1945) 4. Winterthur, by American painter Andrew Wyeth (1962) 5. The Sleeper, by American painter Edward Hopper (1963) 6. Nighthawks, by American painter Edward Hopper (1942) 7. New York Movie, by American painter Edward Hopper (1939) 8. Compartment C, Car 293, by American painter Edward Hopper (1938) 9. Office at Night, by American painter Edward Hopper (1940) 10. Automat, by American painter Edward Hopper (1927) 11. Girl in a White Kimono, by American painter Georgia O’Keeffe (1918) 12. Black Iris, by American painter Georgia O’Keeffe (1926) 13. White Rose with Larkspur, by American painter Georgia O’Keeffe (1927) 14. Red Poppy, by American painter Georgia O’Keeffe (1928) 15. Ram’s Head White Hollyhock, by American painter Georgia O’Keeffe (1935) 16. The Black Rock, by American painter Georgia O’Keeffe (1936) 17. Pelvis with Blue, by American painter Georgia O’Keeffe (1944) 18. One Hundred Dollar Bill, by American painter Andy Warhol (1982) 19. Campbell’s Soup Cans, by American painter Andy Warhol (1962) 20. Marilyn Diptych, by American painter Andy Warhol (1962) 21. Gold Marilyn Monroe, by American painter Andy Warhol (1962) 22. Eight Elvises, by American painter Andy Warhol (1963) 23. Triple Elvis, by American painter Andy Warhol (1963) 24. Four Marilyns, by American painter Andy Warhol (1964) 25. Duchamp’s Grave, by American painter Andy Warhol (1964) 26. The Son of Man, by Belgian painter René Magritte (1964) 27. The Treachery of Images, by Belgian painter René Magritte (1928-1929) 28. The False Mirror, by Belgian painter René Magritte (1928) 29. The Empire of Light, by Belgian painter René Magritte (1953) 30. The Key to Dreams, by Belgian painter René Magritte (1959)

Detailed Description

The Camcorder Effect is a term that has been used to describe the way in which digital video cameras have changed the way we see and record the world around us. The term was first coined by filmmaker and video artist Peter Greenaway in his 1992 essay “The Camcorder Effect and its Aftermath.” Greenaway argued that the camcorder had “altered our perception of reality” and that “the world now looks like a bad video.” The Camcorder Effect has been used to describe the way in which digital video cameras have changed the way we see and record the world around us. The term was first coined by filmmaker and video artist Peter Greenaway in his 1992 essay “The Camcorder Effect and its Aftermath.” Greenaway argued that the camcorder had “altered our perception of reality” and that “the world now looks like a bad video.” The Camcorder Effect has had a profound impact on the way we record and consume images. In the past, images were static and unchanging. With the advent of video, we can now record images that are in constant motion. This has led to a change in the way we process and understand information. The Camcorder Effect has had a profound impact on the way we record and consume images. In the past, images were static and unchanging. With the advent of video, we can now record images that are in constant motion. This has led to a change in the way we process and understand information. Video has also had a major impact on the way we communicate. In the past, communication was primarily verbal. With the advent of video, we can now communicate through images and sound. This has led to a more visual and auditory form of communication. The Camcorder Effect has had a major impact on the way we see and record the world around us. The term was first coined by filmmaker and video artist Peter Greenaway in his 1992 essay “The Camcorder Effect and its Aftermath.” Greenaway argued that the camcorder had “altered our perception of reality” and that “the world now looks like a bad video.” The Camcorder Effect has had a profound impact on the way we record and consume images. In the past, images were static and unchanging. With the advent of video, we can now record images that are in constant motion. This has led to a change in the way we process and understand information. Video has also had a major impact on the way we communicate. In the past, communication was primarily verbal. With the advent of video, we can now communicate through images and sound. This has led to a more visual and auditory form of communication.