Prehistoric image-making
Cave art includes painted and engraved images whose surviving surfaces connect visual invention with specific places and materials.

A closer look
Study how an image relates to the surface beneath it.
Understanding the subject
Prehistoric cave art is not one uniform style. Surviving sites differ in date, subject, technique and setting, and some contain both painting and engraving. Animal figures are prominent in well-known examples, but signs and other marks also matter. Interpretations of purpose remain debated; it is misleading to assign every image the same ritual meaning or to treat one site as the origin of all art.
AOI looking and making workshop
Study how an image relates to the surface beneath it. A bulge in rock can reinforce an animalâs body, while a crack can interrupt or guide a contour. In an original exercise, use a limited earth palette and uneven ground without copying a specific sacred or archaeological image. Keep the line purposeful rather than merely rough. Distinguish a contemporary interpretation from an authentic prehistoric object, and avoid artificial aging claims. The most useful question is how few marks can make a form recognizable on a difficult surface.
The prompt workshop
Original creative exercises. These prompts create new illustrations, not documentary evidence.
Contour on stone
Create an original contemporary illustration of an invented grazing animal drawn with a few earth-red contours on uneven stone. Let the rockâs shape support the body and keep the surrounding surface quiet.
A surface-led composition
Create an original study of three animal silhouettes arranged around natural cracks in a rough ochre wall, varied scale and restrained charcoal accents. Present it as a modern interpretation, not an archaeological reconstruction.
Marks and relief
Create an abstract contemporary image using sparse charcoal lines and earth pigment over a textured stone-like surface. Let ridges interrupt the marks and avoid copying identifiable archaeological signs.

