Pointillism – Single Color :.

Examples for the art style (genre) Pointillism – Single Color – The art style of Pointillism is a single color, usually black, on a white background. The dots are evenly spaced and have a consistent size.

Pointillism – Single Color

Outline:

Overview and quickfacts

Pointillism is a single color art style that uses small, distinct dots of color to create an image. This technique was popularized by French artist Georges Seurat in the late 19th century. Pointillism is often used to create a sense of movement or to add depth and dimension to an image.

The art style is also known as: Dot painting, Point painting, Pixel painting
Categories: Impressionism, Modernism

1. Georges Seurat (1859-1891) 2. Paul Signac (1863-1935) 3. Henri-Edmond Cross (1856-1910) 4. Camille Pissarro (1830-1903) 5. Maximilien Luce (1858-1941) 6. Louis Valtat (1869-1952) 7. Georges Lemmen (1865-1916) 8. Théo van Rysselberghe (1862-1926) 9. Charles Angrand (1854-1926) 10. Paul-Albert Besnard (1849-1934) 11. Pierre-Auguste Renoir (1841-1919) 12. Odilon Redon (1840-1916) 13. Gustave Caillebotte (1848-1894) 14. Georges Pierre Seurat (1889-1916) 15. Henri-Georges Adam (1852-1918) 16. Maximilien Luce (1858-1941) 17. Neo-Impressionism (1886-1904) 18. Paul Signac (1863-1935) 19. Georges Seurat (1859-1891) 20. Camille Pissarro (1830-1903) 21. Vincent van Gogh (1853-1890) 22. Henri de Toulouse-Lautrec (1864-1901) 23. Georges Braque (1882-1963) 24. Robert Delaunay (1885-1941) 25. Pablo Picasso (1881-1973) 26. André Derain (1880-1954) 27. Maurice de Vlaminck (1876-1958) 28. Raoul Dufy (1877-1953) 29. Kees van Dongen (1877-1968) 30. Félix Vallotton (1865-1925)

1. A Sunday Afternoon on the Island of La Grande Jatte (Georges Seurat, 1884) 2. The Starry Night (Vincent van Gogh, 1889) 3. The Yellow Christ (Paul Gauguin, 1889) 4. The Red Vineyard (Vincent van Gogh, 1890) 5. Wheat Field with Cypresses (Vincent van Gogh, 1889) 6. The Circus (Georges Seurat, 1890-91) 7. In the Park (Georges Seurat, 1891) 8. La Grande Jatte at Twilight (Georges Seurat, 1892) 9. The Eiffel Tower (Georges Seurat, 1892-93) 10. The Moulin Rouge (Georges Seurat, 1892-93) 11. The Seine at Chatou (Georges Seurat, 1892-93) 12. The Seine at Port-Marly (Georges Seurat, 1892-93) 13. The Dining Room (Georges Seurat, 1893) 14. The Breakfast Table (Georges Seurat, 1893) 15. The Young Sailor II (Paul Signac, 1894) 16. The Port of Saint-Tropez (Paul Signac, 1894) 17. The Port of La Rochelle (Paul Signac, 1894) 18. The Port of Antibes (Paul Signac, 1894) 19. The Port of Bordeaux (Paul Signac, 1894) 20. The Port of Le Havre (Paul Signac, 1894) 21. The Port of Marseilles (Paul Signac, 1894) 22. The Port of Toulon (Paul Signac, 1894) 23. The Port of Nice (Paul Signac, 1894) 24. The Gulf of Saint-Tropez (Paul Signac, 1894) 25. The Mediterranean Sea (Paul Signac, 1894) 26. The Atlantic Ocean (Paul Signac, 1894) 27. The Channel of Gravelines (Paul Signac, 1894) 28. The Bay of La Concha (Paul Signac, 1894) 29. The Bay of Arcachon (Paul Signac, 1894) 30. The Bay of Biscay (Paul Signac, 1894)

Detailed Description

Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image. The term “pointillism” was first used by art critic Félix Fénéon in 1886 to describe the work of Georges Seurat and Paul Signac. Seurat developed the technique in 1884, while working on his painting “A Sunday Afternoon on the Island of La Grande Jatte.” He used small dots of color to create the impression of light and shadow on the figures in the painting. Signac was also a major proponent of pointillism, and he helped to spread the technique to other artists. He wrote a treatise on the style, entitled “D’Eugène Delacroix au Néo-Impressionnisme.” Other notable pointillist artists include Camille Pissarro, Henri-Edmond Cross, and Maximilien Luce. Pointillism fell out of favor in the early 20th century, but it has experienced a resurgence in recent years. Artists such as Chuck Close and Roy Lichtenstein have used the technique to create striking portraits and other images.

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Artists and Paintings

Known Artists

1. Georges Seurat (1859-1891) 2. Paul Signac (1863-1935) 3. Henri-Edmond Cross (1856-1910) 4. Camille Pissarro (1830-1903) 5. Maximilien Luce (1858-1941) 6. Louis Valtat (1869-1952) 7. Georges Lemmen (1865-1916) 8. Théo van Rysselberghe (1862-1926) 9. Charles Angrand (1854-1926) 10. Paul-Albert Besnard (1849-1934) 11. Pierre-Auguste Renoir (1841-1919) 12. Odilon Redon (1840-1916) 13. Gustave Caillebotte (1848-1894) 14. Georges Pierre Seurat (1889-1916) 15. Henri-Georges Adam (1852-1918) 16. Maximilien Luce (1858-1941) 17. Neo-Impressionism (1886-1904) 18. Paul Signac (1863-1935) 19. Georges Seurat (1859-1891) 20. Camille Pissarro (1830-1903) 21. Vincent van Gogh (1853-1890) 22. Henri de Toulouse-Lautrec (1864-1901) 23. Georges Braque (1882-1963) 24. Robert Delaunay (1885-1941) 25. Pablo Picasso (1881-1973) 26. André Derain (1880-1954) 27. Maurice de Vlaminck (1876-1958) 28. Raoul Dufy (1877-1953) 29. Kees van Dongen (1877-1968) 30. Félix Vallotton (1865-1925)

Known Paintings / Pictures / Images

1. A Sunday Afternoon on the Island of La Grande Jatte (Georges Seurat, 1884) 2. The Starry Night (Vincent van Gogh, 1889) 3. The Yellow Christ (Paul Gauguin, 1889) 4. The Red Vineyard (Vincent van Gogh, 1890) 5. Wheat Field with Cypresses (Vincent van Gogh, 1889) 6. The Circus (Georges Seurat, 1890-91) 7. In the Park (Georges Seurat, 1891) 8. La Grande Jatte at Twilight (Georges Seurat, 1892) 9. The Eiffel Tower (Georges Seurat, 1892-93) 10. The Moulin Rouge (Georges Seurat, 1892-93) 11. The Seine at Chatou (Georges Seurat, 1892-93) 12. The Seine at Port-Marly (Georges Seurat, 1892-93) 13. The Dining Room (Georges Seurat, 1893) 14. The Breakfast Table (Georges Seurat, 1893) 15. The Young Sailor II (Paul Signac, 1894) 16. The Port of Saint-Tropez (Paul Signac, 1894) 17. The Port of La Rochelle (Paul Signac, 1894) 18. The Port of Antibes (Paul Signac, 1894) 19. The Port of Bordeaux (Paul Signac, 1894) 20. The Port of Le Havre (Paul Signac, 1894) 21. The Port of Marseilles (Paul Signac, 1894) 22. The Port of Toulon (Paul Signac, 1894) 23. The Port of Nice (Paul Signac, 1894) 24. The Gulf of Saint-Tropez (Paul Signac, 1894) 25. The Mediterranean Sea (Paul Signac, 1894) 26. The Atlantic Ocean (Paul Signac, 1894) 27. The Channel of Gravelines (Paul Signac, 1894) 28. The Bay of La Concha (Paul Signac, 1894) 29. The Bay of Arcachon (Paul Signac, 1894) 30. The Bay of Biscay (Paul Signac, 1894)

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The positive Future

What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

System response / 27.11.2022

The Negative Futrue

What an AI system (OpenAI – textdavinci002) tells us about a negative future of humans and AI:

It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

System response / 27.11.2022