Orientalism :.

Orientalism

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Overview and quickfacts

Orientalism is a style of art that is characterized by its focus on the cultures of the East, particularly those of the Middle East. Orientalist artists often used exotic and romanticized images of the East in their work, which was often seen as a way to escape the confines of Western society.

The art style is also known as: Asiatic, Eastern
Categories: Impressionism, Modernism

1. Jean-Léon Gérôme (1824-1904) 2. Eugène Delacroix (1798-1863) 3. Frederic Edwin Church (1826-1900) 4. William Holman Hunt (1827-1910) 5. John Frederick Lewis (1804-1876) 6. David Roberts (1796-1864) 7. Edward Francis Burne-Jones (1833-1898) 8. Lawrence Alma-Tadema (1836-1912) 9. Jean-Auguste-Dominique Ingres (1780-1867) 10. Gustave Moreau (1826-1898) 11. Arnold Böcklin (1827-1901) 12. Adolf Friedrich Erdmann von Menzel (1815-1905) 13. Carl Heinrich Bloch (1834-1890) 14. Franz von Lenbach (1836-1904) 15. Viktor Vasnetsov (1848-1926) 16. Mikhail Vrubel (1856-1910) 17. Ivan Aivazovsky (1817-1900) 18. William Turner (1775-1851) 19. John Singer Sargent (1856-1925) 20. James McNeill Whistler (1834-1903) 21. Alphonse Mucha (1860-1939) 22. Henri Matisse (1869-1954) 23. Paul Gauguin (1848-1903) 24. Georges Seurat (1859-1891) 25. Vincent van Gogh (1853-1890) 26. Henri de Toulouse-Lautrec (1864-1901) 27. Pierre-Auguste Renoir (1841-1919) 28. Claude Monet (1840-1926) 29. Camille Pissarro (1830-1903) 30. Edvard Munch (1863-1944)

1. The Snake Charmer, 1879, by Jean-Léon Gérôme 2. The Moorish Bath, 1879, by Jean-Léon Gérôme 3. The Death of Sardanapalus, 1827, by Eugène Delacroix 4. The Algerian Women, 1834, by Eugène Delacroix 5. The Turkish Cafe, 1858, by Jean-Auguste-Dominique Ingres 6. The Harem, 1869, by Jean-Auguste-Dominique Ingres 7. The Slave Market, 1840, by Jean-Louis-Ernest Meissonier 8. The Mosque, 1881, by Jean-Léon Gérôme 9. The Arab Horseman, 1850, by Horace Vernet 10. The Arab Cafe, 1868, by Jean-Léon Gérôme 11. The Arab Guard, 1867, by Jean-Léon Gérôme 12. The Arab Warrior on Horseback, 1861, by Horace Vernet 13. The Arab Tent, 1867, by Jean-Léon Gérôme 14. The Arab Caravan, 1868, by Jean-Léon Gérôme 15. The Arab Street Scene, 1867, by Jean-Léon Gérôme 16. The Arab Horse Market, 1867, by Jean-Léon Gérôme 17. The Arab Camp, 1867, by Jean-Léon Gérôme 18. The Arab Cafe at Night, 1867, by Jean-Léon Gérôme 19. The Arab Coffeehouse, 1867, by Jean-Léon Gérôme 20. The Arab Market, 1867, by Jean-Léon Gérôme 21. The Arab Bakery, 1867, by Jean-Léon Gérôme 22. The Arab Beggar, 1867, by Jean-Léon Gérôme 23. The Arab Barber, 1867, by Jean-Léon Gérôme 24. The Arab Musicians, 1867, by Jean-Léon Gérôme 25. The Arab Horseman, 1867, by Jean-Léon Gérôme 26. The Arab Horsemen, 1867, by Jean-Léon Gérôme 27. The Arab Sheik, 1867, by Jean-Léon Gérôme 28. The Arab Chief, 1867, by Jean-Léon Gérôme 29. The Arab Warrior, 1867, by Jean-Léon Gérôme 30. The Arab Horseman, 1867, by Jean-Léon Gérôme

Detailed Description

Orientalism is a style of art that was popular in the 19th century. It is characterized by its focus on the cultures of the Middle East and Asia. Many famous artists painted in this style, including Jean-Léon Gérôme and Eugène Delacroix. Orientalist paintings often depicted scenes of exoticism and mystery, and were very popular with Western audiences.

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Artists and Paintings

Known Artists

1. Jean-Léon Gérôme (1824-1904) 2. Eugène Delacroix (1798-1863) 3. Frederic Edwin Church (1826-1900) 4. William Holman Hunt (1827-1910) 5. John Frederick Lewis (1804-1876) 6. David Roberts (1796-1864) 7. Edward Francis Burne-Jones (1833-1898) 8. Lawrence Alma-Tadema (1836-1912) 9. Jean-Auguste-Dominique Ingres (1780-1867) 10. Gustave Moreau (1826-1898) 11. Arnold Böcklin (1827-1901) 12. Adolf Friedrich Erdmann von Menzel (1815-1905) 13. Carl Heinrich Bloch (1834-1890) 14. Franz von Lenbach (1836-1904) 15. Viktor Vasnetsov (1848-1926) 16. Mikhail Vrubel (1856-1910) 17. Ivan Aivazovsky (1817-1900) 18. William Turner (1775-1851) 19. John Singer Sargent (1856-1925) 20. James McNeill Whistler (1834-1903) 21. Alphonse Mucha (1860-1939) 22. Henri Matisse (1869-1954) 23. Paul Gauguin (1848-1903) 24. Georges Seurat (1859-1891) 25. Vincent van Gogh (1853-1890) 26. Henri de Toulouse-Lautrec (1864-1901) 27. Pierre-Auguste Renoir (1841-1919) 28. Claude Monet (1840-1926) 29. Camille Pissarro (1830-1903) 30. Edvard Munch (1863-1944)

Known Paintings / Pictures / Images

1. The Snake Charmer, 1879, by Jean-Léon Gérôme 2. The Moorish Bath, 1879, by Jean-Léon Gérôme 3. The Death of Sardanapalus, 1827, by Eugène Delacroix 4. The Algerian Women, 1834, by Eugène Delacroix 5. The Turkish Cafe, 1858, by Jean-Auguste-Dominique Ingres 6. The Harem, 1869, by Jean-Auguste-Dominique Ingres 7. The Slave Market, 1840, by Jean-Louis-Ernest Meissonier 8. The Mosque, 1881, by Jean-Léon Gérôme 9. The Arab Horseman, 1850, by Horace Vernet 10. The Arab Cafe, 1868, by Jean-Léon Gérôme 11. The Arab Guard, 1867, by Jean-Léon Gérôme 12. The Arab Warrior on Horseback, 1861, by Horace Vernet 13. The Arab Tent, 1867, by Jean-Léon Gérôme 14. The Arab Caravan, 1868, by Jean-Léon Gérôme 15. The Arab Street Scene, 1867, by Jean-Léon Gérôme 16. The Arab Horse Market, 1867, by Jean-Léon Gérôme 17. The Arab Camp, 1867, by Jean-Léon Gérôme 18. The Arab Cafe at Night, 1867, by Jean-Léon Gérôme 19. The Arab Coffeehouse, 1867, by Jean-Léon Gérôme 20. The Arab Market, 1867, by Jean-Léon Gérôme 21. The Arab Bakery, 1867, by Jean-Léon Gérôme 22. The Arab Beggar, 1867, by Jean-Léon Gérôme 23. The Arab Barber, 1867, by Jean-Léon Gérôme 24. The Arab Musicians, 1867, by Jean-Léon Gérôme 25. The Arab Horseman, 1867, by Jean-Léon Gérôme 26. The Arab Horsemen, 1867, by Jean-Léon Gérôme 27. The Arab Sheik, 1867, by Jean-Léon Gérôme 28. The Arab Chief, 1867, by Jean-Léon Gérôme 29. The Arab Warrior, 1867, by Jean-Léon Gérôme 30. The Arab Horseman, 1867, by Jean-Léon Gérôme

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So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

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