Neo-romanticism :.

Examples for the art style (genre) Neo-romanticism – The visual appearance of Neo-romanticism is characterized by its use of light and dark colors, its focus on nature and the supernatural, and its use of symbolism.

Neo-romanticism

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Overview and quickfacts

Neo-romanticism is a term used to describe a range of late 20th and early 21st century art styles that exhibit characteristics of the earlier Romanticism movement. These include a focus on the natural world, a return to traditional subject matter, and an emphasis on emotion and feeling. Neo-romantic artists often use bright colors and bold brushstrokes to convey their ideas, and their work often contains elements of fantasy and the supernatural.

The art style is also known as: Neo-romanticism can be synonymized with terms like late-romanticism, post-romanticism, and modern romanticism.
Categories: Impressionism, Modernism

1. William Blake (1757-1827) 2. John Constable (1776-1837) 3. Caspar David Friedrich (1774-1840) 4. J.M.W. Turner (1775-1851) 5. Samuel Palmer (1805-1881) 6. Edward Burne-Jones (1833-1898) 7. William Morris (1834-1896) 8. Dante Gabriel Rossetti (1828-1882) 9. John Ruskin (1819-1900) 10. Christina Rossetti (1830-1894) 11. Ford Madox Brown (1821-1893) 12. Edward Coley Burne-Jones (1833-1898) 13. William Holman Hunt (1827-1910) 14. John Everett Millais (1829-1896) 15. Dante Gabriel Rossetti (1828-1882) 16. William Bell Scott (1811-1890) 17. Philip James de Loutherbourg (1740-1812) 18. John Martin (1789-1854) 19. Joseph Mallord William Turner (1775-1851) 20. Richard Dadd (1817-1886) 21. Augustus Welby Pugin (1812-1852) 22. William Dyce (1806-1864) 23. Edward Robert Hughes (1851-1914) 24. George Frederic Watts (1817-1904) 25. John William Waterhouse (1849-1917) 26. Edward John Poynter (1836-1919) 27. Arthur Hacker (1858-1919) 28. George Henry Boughton (1833-1905) 29. Frederic Leighton (1830-1896) 30. Albert Moore (1841-1893)

1. “The Hay Wagon” by J.M.W. Turner (1844) 2. “The Slave Ship” by J.M.W. Turner (1840) 3. “Rain, Steam and Speed – The Great Western Railway” by J.M.W. Turner (1844) 4. “Snow Storm – Steam-Boat off a Harbour’s Mouth” by J.M.W. Turner (1842) 5. “The Fighting Temeraire” by J.M.W. Turner (1838) 6. “Calais Pier” by J.M.W. Turner (1803) 7. “The Burning of the Houses of Lords and Commons” by J.M.W. Turner (1834) 8. “The Grand Canal, Venice” by J.M.W. Turner (1835) 9. “The Temple of Jupiter Panellenius, Baalbek” by J.M.W. Turner (1840) 10. “The Falls of the Rhine at Schaffhausen” by J.M.W. Turner (1840) 11. “The Sun of Venice Going to Sea” by J.M.W. Turner (1843) 12. “Ulysses Deriding Polyphemus” by J.M.W. Turner (1829) 13. “The Decline of the Carthaginian Empire” by J.M.W. Turner (1817) 14. “The Destruction of Sodom and Gomorrah” by John Martin (1852) 15. “Belshazzar’s Feast” by John Martin (1820) 16. “The Great Day of His Wrath” by John Martin (1851) 17. “The Last Judgement” by John Martin (1853) 18. “Pandemonium” by John Martin (1841) 19. “The Plains of Heaven” by John Martin (1851) 20. “The Destruction of Pompeii and Herculaneum” by John Martin (1822) 21. “The Deluge” by John Martin (1834) 22. “The Eve of the Deluge” by John Martin (1834) 23. “The Fall of Babylon” by John Martin (1819) 24. “The Fall of Nineveh” by John Martin (1829) 25. “The Wreck of the Minotaur” by John Martin (1841) 26. “The Opening of the Sixth Seal” by John Martin (1851) 27. “The Last Man” by John Martin (1849) 28. “The Great Day of His Wrath” by John Martin (1851) 29. “The Destruction of Pompeii and Herculaneum” by John Martin (1822) 30. “The Deluge” by John Martin (1834)

Detailed Description

Neo-romanticism is a term used to describe a return to romantic values in art. This can be seen as a reaction against the formalism and abstraction of the modernist art movements of the early 20th century. Neo-romantic artists sought to express emotions and feelings in their work, often through the use of symbols and mythology. One of the most famous neo-romantic artists is the British painter, Graham Sutherland. Sutherland’s work often features dark and mysterious subjects, such as his well-known painting of the Welsh landscape, “The Black Brook”. Other notable neo-romantic artists include the American painter Andrew Wyeth and the Swiss painter Ferdinand Hodler.

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Known Artists

1. William Blake (1757-1827) 2. John Constable (1776-1837) 3. Caspar David Friedrich (1774-1840) 4. J.M.W. Turner (1775-1851) 5. Samuel Palmer (1805-1881) 6. Edward Burne-Jones (1833-1898) 7. William Morris (1834-1896) 8. Dante Gabriel Rossetti (1828-1882) 9. John Ruskin (1819-1900) 10. Christina Rossetti (1830-1894) 11. Ford Madox Brown (1821-1893) 12. Edward Coley Burne-Jones (1833-1898) 13. William Holman Hunt (1827-1910) 14. John Everett Millais (1829-1896) 15. Dante Gabriel Rossetti (1828-1882) 16. William Bell Scott (1811-1890) 17. Philip James de Loutherbourg (1740-1812) 18. John Martin (1789-1854) 19. Joseph Mallord William Turner (1775-1851) 20. Richard Dadd (1817-1886) 21. Augustus Welby Pugin (1812-1852) 22. William Dyce (1806-1864) 23. Edward Robert Hughes (1851-1914) 24. George Frederic Watts (1817-1904) 25. John William Waterhouse (1849-1917) 26. Edward John Poynter (1836-1919) 27. Arthur Hacker (1858-1919) 28. George Henry Boughton (1833-1905) 29. Frederic Leighton (1830-1896) 30. Albert Moore (1841-1893)

Known Paintings / Pictures / Images

1. “The Hay Wagon” by J.M.W. Turner (1844) 2. “The Slave Ship” by J.M.W. Turner (1840) 3. “Rain, Steam and Speed – The Great Western Railway” by J.M.W. Turner (1844) 4. “Snow Storm – Steam-Boat off a Harbour’s Mouth” by J.M.W. Turner (1842) 5. “The Fighting Temeraire” by J.M.W. Turner (1838) 6. “Calais Pier” by J.M.W. Turner (1803) 7. “The Burning of the Houses of Lords and Commons” by J.M.W. Turner (1834) 8. “The Grand Canal, Venice” by J.M.W. Turner (1835) 9. “The Temple of Jupiter Panellenius, Baalbek” by J.M.W. Turner (1840) 10. “The Falls of the Rhine at Schaffhausen” by J.M.W. Turner (1840) 11. “The Sun of Venice Going to Sea” by J.M.W. Turner (1843) 12. “Ulysses Deriding Polyphemus” by J.M.W. Turner (1829) 13. “The Decline of the Carthaginian Empire” by J.M.W. Turner (1817) 14. “The Destruction of Sodom and Gomorrah” by John Martin (1852) 15. “Belshazzar’s Feast” by John Martin (1820) 16. “The Great Day of His Wrath” by John Martin (1851) 17. “The Last Judgement” by John Martin (1853) 18. “Pandemonium” by John Martin (1841) 19. “The Plains of Heaven” by John Martin (1851) 20. “The Destruction of Pompeii and Herculaneum” by John Martin (1822) 21. “The Deluge” by John Martin (1834) 22. “The Eve of the Deluge” by John Martin (1834) 23. “The Fall of Babylon” by John Martin (1819) 24. “The Fall of Nineveh” by John Martin (1829) 25. “The Wreck of the Minotaur” by John Martin (1841) 26. “The Opening of the Sixth Seal” by John Martin (1851) 27. “The Last Man” by John Martin (1849) 28. “The Great Day of His Wrath” by John Martin (1851) 29. “The Destruction of Pompeii and Herculaneum” by John Martin (1822) 30. “The Deluge” by John Martin (1834)

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What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

System response / 27.11.2022