Naturalism :.

Examples for the art style (genre) Naturalism – Naturalism is a style of art that is characterized by its realistic and detailed depiction of the natural world. This style of art is often associated with the works of the French artist, Claude Monet.

Naturalism

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Overview and quickfacts

Naturalism is an art style that is characterized by its focus on realism and its depiction of the natural world. This style of art emerged in the late 19th century and was popularized by artists such as John Singer Sargent and Winslow Homer. Naturalism is often associated with the American West and its landscapes, as well as with the American Impressionism movement.

The art style is also known as: Realism, verism, lifelike
Categories: Impressionism, Modernism

1. William-Adolphe Bouguereau (1825-1905) 2. Gustave Courbet (1819-1877) 3. Jean-Baptiste-Camille Corot (1796-1875) 4. Thomas Eakins (1844-1916) 5. Asher Brown Durand (1796-1886) 6. Thomas Cole (1801-1848) 7. John Constable (1776-1837) 8. Paul Cézanne (1839-1906) 9. Edgar Degas (1834-1917) 10. Édouard Manet (1832-1883) 11. Claude Monet (1840-1926) 12. Berthe Morisot (1841-1895) 13. Camille Pissarro (1830-1903) 14. Pierre-Auguste Renoir (1841-1919) 15. John Singleton Copley (1738-1815) 16. Benjamin West (1738-1820) 17. George Bellows (1882-1925) 18. Andrew Wyeth (1917-2009) 19. Winslow Homer (1836-1910) 20. James McNeill Whistler (1834-1903) 21. Frederic Remington (1861-1909) 22. Charles Russell (1864-1926) 23. N. C. Wyeth (1882-1945) 24. Andrew Wyeth (1917-2009) 25. Edward Hopper (1882-1967) 26. Georgia O’Keeffe (1887-1986) 27. Grandma Moses (1860-1961) 28. Horace Pippin (1888-1946) 29. Jacob Lawrence (1917-2000) 30. Mary Cassatt (1844-1926)

1. American Gothic (1930) by Grant Wood 2. The Hay Wagon (1933) by John Steuart Curry 3. The Plow and the Harrow (1934) by Thomas Hart Benton 4. The Grapes of Wrath (1939) by John Steinbeck 5. The Grapes of Wrath (1940) by Dorothea Lange 6. American Gothic (1942) by Andrew Wyeth 7. Christina’s World (1948) by Andrew Wyeth 8. The City (1950) by Edward Hopper 9. The Country Doctor (1951) by Andrew Wyeth 10. The Road to Nowhere (1953) by Edward Hopper 11. New York Movie (1939) by Edward Hopper 12. Nighthawks (1942) by Edward Hopper 13. Office in a Small City (1953) by Edward Hopper 14. People in the Sun (1961) by Edward Hopper 15. Second Story Sunlight (1960) by Edward Hopper 16. Early Sunday Morning (1930) by Edward Hopper 17. Automat (1927) by Edward Hopper 18. Seven A.M. (1948) by Edward Hopper 19. Office at Night (1940) by Edward Hopper 20. Room in New York (1932) by Edward Hopper 21. Compartment C, Car 293 (1938) by Edward Hopper 22. Morning in a City (1944) by Edward Hopper 23. Hotel by a Railroad (1952) by Edward Hopper 24. New York Interior (1921) by Edward Hopper 25. A Woman in the Sun (1961) by Edward Hopper 26. Western Motel (1957) by Edward Hopper 27. Cape Cod Evening (1939) by Edward Hopper 28. Chop Suey (1929) by Edward Hopper 29. Drug Store (1927) by Edward Hopper 30. Soir Bleu (1914) by Edward Hopper

Detailed Description

Naturalism is an art style that emerged in the late 19th century and emphasizes on the realistic depiction of the natural world. Artists associated with naturalism include John Constable, J.M.W. Turner, and Winslow Homer. Naturalism paintings often depict landscapes and scenes from everyday life.

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Known Artists

1. William-Adolphe Bouguereau (1825-1905) 2. Gustave Courbet (1819-1877) 3. Jean-Baptiste-Camille Corot (1796-1875) 4. Thomas Eakins (1844-1916) 5. Asher Brown Durand (1796-1886) 6. Thomas Cole (1801-1848) 7. John Constable (1776-1837) 8. Paul Cézanne (1839-1906) 9. Edgar Degas (1834-1917) 10. Édouard Manet (1832-1883) 11. Claude Monet (1840-1926) 12. Berthe Morisot (1841-1895) 13. Camille Pissarro (1830-1903) 14. Pierre-Auguste Renoir (1841-1919) 15. John Singleton Copley (1738-1815) 16. Benjamin West (1738-1820) 17. George Bellows (1882-1925) 18. Andrew Wyeth (1917-2009) 19. Winslow Homer (1836-1910) 20. James McNeill Whistler (1834-1903) 21. Frederic Remington (1861-1909) 22. Charles Russell (1864-1926) 23. N. C. Wyeth (1882-1945) 24. Andrew Wyeth (1917-2009) 25. Edward Hopper (1882-1967) 26. Georgia O’Keeffe (1887-1986) 27. Grandma Moses (1860-1961) 28. Horace Pippin (1888-1946) 29. Jacob Lawrence (1917-2000) 30. Mary Cassatt (1844-1926)

Known Paintings / Pictures / Images

1. American Gothic (1930) by Grant Wood 2. The Hay Wagon (1933) by John Steuart Curry 3. The Plow and the Harrow (1934) by Thomas Hart Benton 4. The Grapes of Wrath (1939) by John Steinbeck 5. The Grapes of Wrath (1940) by Dorothea Lange 6. American Gothic (1942) by Andrew Wyeth 7. Christina’s World (1948) by Andrew Wyeth 8. The City (1950) by Edward Hopper 9. The Country Doctor (1951) by Andrew Wyeth 10. The Road to Nowhere (1953) by Edward Hopper 11. New York Movie (1939) by Edward Hopper 12. Nighthawks (1942) by Edward Hopper 13. Office in a Small City (1953) by Edward Hopper 14. People in the Sun (1961) by Edward Hopper 15. Second Story Sunlight (1960) by Edward Hopper 16. Early Sunday Morning (1930) by Edward Hopper 17. Automat (1927) by Edward Hopper 18. Seven A.M. (1948) by Edward Hopper 19. Office at Night (1940) by Edward Hopper 20. Room in New York (1932) by Edward Hopper 21. Compartment C, Car 293 (1938) by Edward Hopper 22. Morning in a City (1944) by Edward Hopper 23. Hotel by a Railroad (1952) by Edward Hopper 24. New York Interior (1921) by Edward Hopper 25. A Woman in the Sun (1961) by Edward Hopper 26. Western Motel (1957) by Edward Hopper 27. Cape Cod Evening (1939) by Edward Hopper 28. Chop Suey (1929) by Edward Hopper 29. Drug Store (1927) by Edward Hopper 30. Soir Bleu (1914) by Edward Hopper

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What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

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