Mono-ha :.

Examples for the art style (genre) Mono-ha – The Mono-ha art style is characterized by simple, often monochromatic, compositions that highlight the materials used and the process of their creation. The focus is on the materials themselves, rather than on the finished product.

Mono-ha

Outline:

Overview and quickfacts

Mono-ha is a Japanese art movement that began in the late 1960s. It is characterized by the use of natural materials such as stone, wood, earth, light, and water, and the focus on the process of creation rather than the final product.

The art style is also known as: One-ha, 1-ha, uni-ha, single-ha
Categories: Impressionism, Modernism

1. Lee Ufan (1936-) 2. Nobuo Sekine (1942-) 3. Kazuo Shiraga (1924-2008) 4. Satoru Hoshino (1935-) 5. Kishio Suga (1944-) 6. Hiroshi Sugimoto (1948-) 7. Masanobu Yoshimura (1944-) 8. Akira Kanayama (1942-) 9. Jiro Yoshihara (1905-1972) 10. Shozo Shimamoto (1928-2013) 11. Yutaka Matsuzawa (1939-) 12. Kiyoshi Awazu (1929-2014) 13. Tomio Miki (1940-) 14. Katsuro Yoshida (1943-) 15. Susumu Koshimizu (1941-) 16. Norio Imai (1942-) 17. Katsuhiro Yamaguchi (1938-) 18. Koji Enokura (1941-1995) 19. Akira Tatehata (1944-) 20. Akira Sato (1941-) 21. Yukinori Yanagi (1959-) 22. Masaharu Yoshimura (1942-) 23. Shigeo Arikawa (1942-) 24. Hiroshi Senjougahara (1944-) 25. Tetsuro Kano (1942-) 26. Kiyoshi Suzuki (1944-) 27. Seiichi Motohashi (1942-) 28. Yoshiharu Sugiyama (1943-) 29. Takamitsu Azuma (1944-) 30. Yoshihide Otomo (1954-)

1. “White Circle” by Yayoi Kusama (1973) 2. “Yellow Tree” by Yayoi Kusama (1973) 3. “Red Sun” by Yayoi Kusama (1974) 4. “Black Sun” by Yayoi Kusama (1974) 5. “Infinity Nets” by Yayoi Kusama (1979) 6. “Dots Obsession” by Yayoi Kusama (1981) 7. “The Spirits of the Pumpkins Descended into the Heavens” by Yayoi Kusama (1990) 8. “Love Forever” by Yayoi Kusama (1994) 9. “Flower” by Yayoi Kusama (1995) 10. “Nets” by Yayoi Kusama (1997) 11. “Dots” by Yayoi Kusama (1997) 12. “Pumpkins” by Yayoi Kusama (1998) 13. “Nets” by Yayoi Kusama (1999) 14. “Dots” by Yayoi Kusama (1999) 15. “Pumpkins” by Yayoi Kusama (2000) 16. “Nets” by Yayoi Kusama (2001) 17. “Dots” by Yayoi Kusama (2002) 18. “Pumpkins” by Yayoi Kusama (2003) 19. “Nets” by Yayoi Kusama (2004) 20. “Dots” by Yayoi Kusama (2005) 21. “Pumpkins” by Yayoi Kusama (2006) 22. “Nets” by Yayoi Kusama (2007) 23. “Dots” by Yayoi Kusama (2008) 24. “Pumpkins” by Yayoi Kusama (2009) 25. “Nets” by Yayoi Kusama (2010) 26. “Dots” by Yayoi Kusama (2011) 27. “Pumpkins” by Yayoi Kusama (2012) 28. “Nets” by Yayoi Kusama (2013) 29. “Dots” by Yayoi Kusama (2014) 30. “Pumpkins” by Yayoi Kusama (2015)

Detailed Description

Mono-ha is a Japanese art movement that is associated with the use of natural materials and the simplicity of forms. The term Mono-ha is derived from the Japanese words for “object” and “school”. The Mono-ha artists are considered to be part of the Post-War Japanese art movement. The Mono-ha artists began to gain recognition in the late 1960s and early 1970s. The first Mono-ha exhibition was held in Tokyo in 1970. The Mono-ha artists were influenced by Western artists such as Robert Rauschenberg and Jasper Johns. They also were influenced by the Dada and Surrealist movements. The Mono-ha artists sought to create art that was simple and uncluttered. They often used found objects in their artwork. The Mono-ha artists also used natural materials such as stone, wood, and earth. Some of the most famous Mono-ha artists include Lee Ufan, Nobuo Sekine, and Hiroshi Sugimoto.

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Artists and Paintings

Known Artists

1. Lee Ufan (1936-) 2. Nobuo Sekine (1942-) 3. Kazuo Shiraga (1924-2008) 4. Satoru Hoshino (1935-) 5. Kishio Suga (1944-) 6. Hiroshi Sugimoto (1948-) 7. Masanobu Yoshimura (1944-) 8. Akira Kanayama (1942-) 9. Jiro Yoshihara (1905-1972) 10. Shozo Shimamoto (1928-2013) 11. Yutaka Matsuzawa (1939-) 12. Kiyoshi Awazu (1929-2014) 13. Tomio Miki (1940-) 14. Katsuro Yoshida (1943-) 15. Susumu Koshimizu (1941-) 16. Norio Imai (1942-) 17. Katsuhiro Yamaguchi (1938-) 18. Koji Enokura (1941-1995) 19. Akira Tatehata (1944-) 20. Akira Sato (1941-) 21. Yukinori Yanagi (1959-) 22. Masaharu Yoshimura (1942-) 23. Shigeo Arikawa (1942-) 24. Hiroshi Senjougahara (1944-) 25. Tetsuro Kano (1942-) 26. Kiyoshi Suzuki (1944-) 27. Seiichi Motohashi (1942-) 28. Yoshiharu Sugiyama (1943-) 29. Takamitsu Azuma (1944-) 30. Yoshihide Otomo (1954-)

Known Paintings / Pictures / Images

1. “White Circle” by Yayoi Kusama (1973) 2. “Yellow Tree” by Yayoi Kusama (1973) 3. “Red Sun” by Yayoi Kusama (1974) 4. “Black Sun” by Yayoi Kusama (1974) 5. “Infinity Nets” by Yayoi Kusama (1979) 6. “Dots Obsession” by Yayoi Kusama (1981) 7. “The Spirits of the Pumpkins Descended into the Heavens” by Yayoi Kusama (1990) 8. “Love Forever” by Yayoi Kusama (1994) 9. “Flower” by Yayoi Kusama (1995) 10. “Nets” by Yayoi Kusama (1997) 11. “Dots” by Yayoi Kusama (1997) 12. “Pumpkins” by Yayoi Kusama (1998) 13. “Nets” by Yayoi Kusama (1999) 14. “Dots” by Yayoi Kusama (1999) 15. “Pumpkins” by Yayoi Kusama (2000) 16. “Nets” by Yayoi Kusama (2001) 17. “Dots” by Yayoi Kusama (2002) 18. “Pumpkins” by Yayoi Kusama (2003) 19. “Nets” by Yayoi Kusama (2004) 20. “Dots” by Yayoi Kusama (2005) 21. “Pumpkins” by Yayoi Kusama (2006) 22. “Nets” by Yayoi Kusama (2007) 23. “Dots” by Yayoi Kusama (2008) 24. “Pumpkins” by Yayoi Kusama (2009) 25. “Nets” by Yayoi Kusama (2010) 26. “Dots” by Yayoi Kusama (2011) 27. “Pumpkins” by Yayoi Kusama (2012) 28. “Nets” by Yayoi Kusama (2013) 29. “Dots” by Yayoi Kusama (2014) 30. “Pumpkins” by Yayoi Kusama (2015)

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So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

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