International Gothic :.

International Gothic

Outline:

Overview and quickfacts

International Gothic is a period of art that began in the late fourteenth century and lasted until the sixteenth century. It is characterized by its ornate, dramatic style, featuring intricate details and bright colors. International Gothic artists often drew inspiration from religious and mythological subjects, as well as the natural world. This period of art was influential in shaping the Renaissance, which followed shortly afterwards.

The art style is also known as: Global, worldwide, transnational
Categories: Impressionism, Modernism

1. Albrecht Dürer – 1471-1528 2. Jan van Eyck – 1390-1441 3. Rogier van der Weyden – 1400-1464 4. Hans Memling – 1430-1491 5. Fra Angelico – 1395-1455 6. Piero della Francesca – 1415-1492 7. Antonello da Messina – 1430-1479 8. Andrea Mantegna – 1431-1506 9. Giovanni Bellini – 1430-1516 10. Botticelli – 1445-1510 11. Ghirlandaio – 1449-1494 12. Filippino Lippi – 1457-1504 13. Leonardo da Vinci – 1452-1519 14. Perugino – 1450-1523 15. Pinturicchio – 1454-1513 16. Raphael – 1483-1520 17. Michelangelo – 1475-1564 18. Domenico Ghirlandaio – 1449-1494 19. Fra Bartolommeo – 1472-1517 20. Pontormo – 1494-1557 21. Parmigianino – 1503-1540 22. Bronzino – 1503-1572 23. Titian – 1488-1576 24. Tintoretto – 1518-1594 25. Veronese – 1528-1588 26. Caravaggio – 1571-1610 27. Bernini – 1598-1680 28. Rembrandt – 1606-1669 29. Velázquez – 1599-1660 30. Goya – 1746-1828

1. The Annunciation, 1340, by Simone Martini 2. The Annunciation Triptych, 1433, by Jan van Eyck 3. The Arnolfini Portrait, 1434, by Jan van Eyck 4. The Birth of Christ, 1340, by Simone Martini 5. The Book of Hours of Jeanne d’Evreux, 1325-1328, by Jean Pucelle 6. The Breviary of Jean de France, 1324-1328, by Jean Pucelle 7. The Crucifixion, 1340, by Simone Martini 8. The Death of the Virgin, 1340, by Simone Martini 9. The Golden Legend, ca. 1470, by Hans Memling 10. The Heures de Jeanne d’Evreux, 1325-1328, by Jean Pucelle 11. The Hours of Catherine of Cleves, ca. 1440, by the Master of Catherine of Cleves 12. The Life of Christ, 1340, by Simone Martini 13. The Life of the Virgin, 1340, by Simone Martini 14. The Madonna and Child, 1340, by Simone Martini 15. The Madonna and Child with Saints, 1340, by Simone Martini 16. The Madonna of the Pomegranate, ca. 1487, by Piero della Francesca 17. The Melun Diptych, ca. 1452, by Jean Fouquet 18. The Miraflores Altarpiece, ca. 1445, by Juan de Flandes 19. The Nativity, 1340, by Simone Martini 20. The Nativity of Christ, ca. 1470, by Hans Memling 21. The Pietà, ca. 1455, by Andrea Mantegna 22. The Pisa Altarpiece, 1340, by Simone Martini 23. The Portinari Altarpiece, ca. 1475, by Hugo van der Goes 24. The Presentation in the Temple, 1340, by Simone Martini 25. The Resurrection, 1340, by Simone Martini 26. The Temptation of Christ, ca. 1470, by Hans Memling 27. The Three Living and the Three Dead, ca. 1470, by Hans Memling 28. The Triumph of Death, ca. 1470, by Hans Memling 29. The Virgin and Child, ca. 1470, by Hans Memling 30. The Virgin and Child with Saints, ca. 1470, by Hans Memling

Detailed Description

The International Gothic style was a late medieval art movement that lasted from the late 13th century to the late 14th century. The style was characterized by its ornate, dramatic, and often fantastical style. Gothic art was initially popularized in France, and then spread to other parts of Europe, such as Italy, Spain, and Germany. Gothic art is often associated with the spooky, dark, and haunted elements of medieval life. Some of the most famous Gothic artists include Giotto, Simone Martini, and Duccio. Gothic art is often characterized by its use of light and shadow to create a sense of depth and drama. Gothic paintings often depict religious scenes, such as the Last Judgment, or scenes of martyrdom. Gothic art is also known for its use of intricate details and its often grotesque style.

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Known Artists

1. Albrecht Dürer – 1471-1528 2. Jan van Eyck – 1390-1441 3. Rogier van der Weyden – 1400-1464 4. Hans Memling – 1430-1491 5. Fra Angelico – 1395-1455 6. Piero della Francesca – 1415-1492 7. Antonello da Messina – 1430-1479 8. Andrea Mantegna – 1431-1506 9. Giovanni Bellini – 1430-1516 10. Botticelli – 1445-1510 11. Ghirlandaio – 1449-1494 12. Filippino Lippi – 1457-1504 13. Leonardo da Vinci – 1452-1519 14. Perugino – 1450-1523 15. Pinturicchio – 1454-1513 16. Raphael – 1483-1520 17. Michelangelo – 1475-1564 18. Domenico Ghirlandaio – 1449-1494 19. Fra Bartolommeo – 1472-1517 20. Pontormo – 1494-1557 21. Parmigianino – 1503-1540 22. Bronzino – 1503-1572 23. Titian – 1488-1576 24. Tintoretto – 1518-1594 25. Veronese – 1528-1588 26. Caravaggio – 1571-1610 27. Bernini – 1598-1680 28. Rembrandt – 1606-1669 29. Velázquez – 1599-1660 30. Goya – 1746-1828

Known Paintings / Pictures / Images

1. The Annunciation, 1340, by Simone Martini 2. The Annunciation Triptych, 1433, by Jan van Eyck 3. The Arnolfini Portrait, 1434, by Jan van Eyck 4. The Birth of Christ, 1340, by Simone Martini 5. The Book of Hours of Jeanne d’Evreux, 1325-1328, by Jean Pucelle 6. The Breviary of Jean de France, 1324-1328, by Jean Pucelle 7. The Crucifixion, 1340, by Simone Martini 8. The Death of the Virgin, 1340, by Simone Martini 9. The Golden Legend, ca. 1470, by Hans Memling 10. The Heures de Jeanne d’Evreux, 1325-1328, by Jean Pucelle 11. The Hours of Catherine of Cleves, ca. 1440, by the Master of Catherine of Cleves 12. The Life of Christ, 1340, by Simone Martini 13. The Life of the Virgin, 1340, by Simone Martini 14. The Madonna and Child, 1340, by Simone Martini 15. The Madonna and Child with Saints, 1340, by Simone Martini 16. The Madonna of the Pomegranate, ca. 1487, by Piero della Francesca 17. The Melun Diptych, ca. 1452, by Jean Fouquet 18. The Miraflores Altarpiece, ca. 1445, by Juan de Flandes 19. The Nativity, 1340, by Simone Martini 20. The Nativity of Christ, ca. 1470, by Hans Memling 21. The Pietà, ca. 1455, by Andrea Mantegna 22. The Pisa Altarpiece, 1340, by Simone Martini 23. The Portinari Altarpiece, ca. 1475, by Hugo van der Goes 24. The Presentation in the Temple, 1340, by Simone Martini 25. The Resurrection, 1340, by Simone Martini 26. The Temptation of Christ, ca. 1470, by Hans Memling 27. The Three Living and the Three Dead, ca. 1470, by Hans Memling 28. The Triumph of Death, ca. 1470, by Hans Memling 29. The Virgin and Child, ca. 1470, by Hans Memling 30. The Virgin and Child with Saints, ca. 1470, by Hans Memling

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So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

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