Hudson River School :.

Examples for the art style (genre) Hudson River School – The Hudson River School is characterized by its realistic and detailed portrayal of American landscapes, particularly the Hudson River Valley. The artists associated with the school were influenced by the work of British landscape painter John Constable, and they sought to capture the natural beauty of the American landscape. The paintings often feature dramatic lighting and expansive views, and they frequently include human figures to convey a sense of scale.

Hudson River School

Outline:

Overview and quickfacts

Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism. The paintings typically depict the American wilderness, especially the Hudson River Valley, and the artists often sought to capture the sublime and majestic qualities of the natural world.

The art style is also known as: The Hudson River School was a group of American landscape painters from the mid-19th century.
Categories: Impressionism, Modernism

1. Thomas Cole (1801-1848) 2. Asher B. Durand (1796-1886) 3. John F. Kensett (1816-1872) 4. William Cullen Bryant (1794-1878) 5. Jasper Cropsey (1823-1900) 6. Frederic Edwin Church (1826-1900) 7. Sanford R. Gifford (1823-1880) 8. John William Casilear (1811-1893) 9. Fitz Henry Lane (1804-1865) 10. Albert Bierstadt (1830-1902) 11. Thomas Doughty (1793-1856) 12. Robert S. Duncanson (1821-1872) 13. Martin Johnson Heade (1819-1904) 14. George Inness (1825-1894) 15. John La Farge (1835-1910) 16. Winslow Homer (1836-1910) 17. Edward Hopper (1882-1967) 18. Andrew Wyeth (1917-2009) 19. Georgia O’Keeffe (1887-1986) 20. John Singer Sargent (1856-1925) 21. Mary Cassatt (1844-1926) 22. Frederic Remington (1861-1909) 23. Charles Russell (1864-1926) 24. Thomas Eakins (1844-1916) 25. William Merritt Chase (1849-1916) 26. Childe Hassam (1859-1935) 27. John Sloan (1871-1951) 28. Edward Hopper (1882-1967) 29. Andrew Wyeth (1917-2009) 30. Georgia O’Keeffe (1887-1986)

1. The Oxbow, Thomas Cole, 1836 2. The Catskills from Mount Tremper, Thomas Cole, 1839 3. A View of the Two Lakes and Mountain House, Thomas Cole, 1842 4. The Voyage of Life, Thomas Cole, 1842 5. The Course of Empire, Thomas Cole, 1836 6. The Last of the Mohicans, Thomas Cole, 1827 7. Niagara Falls, Thomas Cole, 1857 8. The Hudson River at Sunset, Thomas Cole, 1844 9. The Falls of Kaaterskill, Thomas Cole, 1826 10. Lake with Dead Trees, Thomas Cole, 1833 11. The Mountain Ford, Thomas Cole, 1846 12. The Old Mill, Thomas Cole, 1846 13. The Wreck of the Hope, Thomas Cole, 1841 14. The Destruction of Sodom and Gomorrah, Thomas Cole, 1846 15. The Ark, Thomas Cole, 1846 16. The Deluge, Thomas Cole, 1846 17. The Garden of Eden, Thomas Cole, 1846 18. The Cross in the Wilderness, Thomas Cole, 1847 19. The Light of the World, Thomas Cole, 1847 20. The Pilgrim at the Gates of Eden, Thomas Cole, 1847 21. The Promised Land, Thomas Cole, 1847 22. The City of Refuge, Thomas Cole, 1848 23. The Voyage of Life: Childhood, Thomas Cole, 1842 24. The Voyage of Life: Youth, Thomas Cole, 1842 25. The Voyage of Life: Manhood, Thomas Cole, 1842 26. The Voyage of Life: Old Age, Thomas Cole, 1842 27. The Hunters’ Return, Asher Brown Durand, 1848 28. Kindred Spirits, Asher Brown Durand, 1849 29. Morning in the Catskills, Asher Brown Durand, 1850 30. A View of the Hudson Looking Across the Tappan Zee Towards Hook Mountain, Asher Brown Durand, 1855

Detailed Description

The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose work typically depicted the Hudson River Valley and the surrounding area, including the Catskill, Adirondack, and White Mountains. The paintings often featured dramatic and majestic views of the American wilderness, with an emphasis on the effects of light and atmosphere. The Hudson River School was founded by Thomas Cole in 1825, when he moved to New York City from England and started painting the Catskill Mountains. Other notable Hudson River School artists include Frederic Edwin Church, Asher B. Durand, Jasper Francis Cropsey, and John Frederick Kensett. The Hudson River School paintings are characterized by their realistic and detailed depictions of nature, as well as their use of light and color to create a sense of space and atmosphere. The paintings often convey a sense of awe and wonder at the beauty of the American landscape.

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Known Artists

1. Thomas Cole (1801-1848) 2. Asher B. Durand (1796-1886) 3. John F. Kensett (1816-1872) 4. William Cullen Bryant (1794-1878) 5. Jasper Cropsey (1823-1900) 6. Frederic Edwin Church (1826-1900) 7. Sanford R. Gifford (1823-1880) 8. John William Casilear (1811-1893) 9. Fitz Henry Lane (1804-1865) 10. Albert Bierstadt (1830-1902) 11. Thomas Doughty (1793-1856) 12. Robert S. Duncanson (1821-1872) 13. Martin Johnson Heade (1819-1904) 14. George Inness (1825-1894) 15. John La Farge (1835-1910) 16. Winslow Homer (1836-1910) 17. Edward Hopper (1882-1967) 18. Andrew Wyeth (1917-2009) 19. Georgia O’Keeffe (1887-1986) 20. John Singer Sargent (1856-1925) 21. Mary Cassatt (1844-1926) 22. Frederic Remington (1861-1909) 23. Charles Russell (1864-1926) 24. Thomas Eakins (1844-1916) 25. William Merritt Chase (1849-1916) 26. Childe Hassam (1859-1935) 27. John Sloan (1871-1951) 28. Edward Hopper (1882-1967) 29. Andrew Wyeth (1917-2009) 30. Georgia O’Keeffe (1887-1986)

Known Paintings / Pictures / Images

1. The Oxbow, Thomas Cole, 1836 2. The Catskills from Mount Tremper, Thomas Cole, 1839 3. A View of the Two Lakes and Mountain House, Thomas Cole, 1842 4. The Voyage of Life, Thomas Cole, 1842 5. The Course of Empire, Thomas Cole, 1836 6. The Last of the Mohicans, Thomas Cole, 1827 7. Niagara Falls, Thomas Cole, 1857 8. The Hudson River at Sunset, Thomas Cole, 1844 9. The Falls of Kaaterskill, Thomas Cole, 1826 10. Lake with Dead Trees, Thomas Cole, 1833 11. The Mountain Ford, Thomas Cole, 1846 12. The Old Mill, Thomas Cole, 1846 13. The Wreck of the Hope, Thomas Cole, 1841 14. The Destruction of Sodom and Gomorrah, Thomas Cole, 1846 15. The Ark, Thomas Cole, 1846 16. The Deluge, Thomas Cole, 1846 17. The Garden of Eden, Thomas Cole, 1846 18. The Cross in the Wilderness, Thomas Cole, 1847 19. The Light of the World, Thomas Cole, 1847 20. The Pilgrim at the Gates of Eden, Thomas Cole, 1847 21. The Promised Land, Thomas Cole, 1847 22. The City of Refuge, Thomas Cole, 1848 23. The Voyage of Life: Childhood, Thomas Cole, 1842 24. The Voyage of Life: Youth, Thomas Cole, 1842 25. The Voyage of Life: Manhood, Thomas Cole, 1842 26. The Voyage of Life: Old Age, Thomas Cole, 1842 27. The Hunters’ Return, Asher Brown Durand, 1848 28. Kindred Spirits, Asher Brown Durand, 1849 29. Morning in the Catskills, Asher Brown Durand, 1850 30. A View of the Hudson Looking Across the Tappan Zee Towards Hook Mountain, Asher Brown Durand, 1855

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So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

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