Early Netherlandish :.

Examples for the art style (genre) Early Netherlandish – painting Early Netherlandish painting is characterized by its use of light and shadow to create a sense of depth, its use of rich colors, and its detailed and realistic style.

Early Netherlandish

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Overview and quickfacts

painting Early Netherlandish painting is a style of painting that flourished in the Low Countries during the 15th and early 16th centuries. The style is characterized by its use of light and shadow, its intricate details, and its realistic portrayal of people and landscapes. Early Netherlandish painters were some of the first to use oil paint, and they were able to achieve a high level of realism in their paintings. Many of their paintings were religious in nature, and they often depicted scenes from the Bible. Some of the most famous Early Netherlandish painters include Jan van Eyck, Hans Memling, and Gerard David.

The art style is also known as: Late Gothic, Flemish Primitives
Categories: Impressionism, Modernism

1. Jan van Eyck (1390-1441) 2. Rogier van der Weyden (1399/1400-1464) 3. Hans Memling (1430-1491) 4. Gerard David (1460-1523) 5. Petrus Christus (1410/20-1475/76) 6. Dirk Bouts (1415/20-1475) 7. Joachim Patinir (1480-1524) 8. Simon Marmion (1425-1489) 9. Hugo van der Goes (1440-1482) 10. Geertgen tot Sint Jans (1460/70-1495) 11. Matthias Grunewald (1470-1528) 12. Lucas Cranach the Elder (1472-1553) 13. Albrecht Dürer (1471-1528) 14. Pieter Bruegel the Elder (c. 1525-1569) 15. Hieronymus Bosch (c. 1450-1516) 16. Jan Provoost (1462-1529) 17. Gerard Horenbout (1465-1541) 18. Lucas Gassel (1481-1532) 19. Jan van Scorel (1495-1562) 20. Maarten van Heemskerck (1498-1574) 21. Frans Floris (1519-1570) 22. Anthonis Mor (1516-1576) 23. Dirck Volckertszoon Coornhert (1522-1590) 24. Jan Mabuse (1478-1532) 25. Joos van Cleve (c. 1485-1540/41) 26. Bernard van Orley (1491-1541) 27. Lambert Lombard (1505-1566) 28. Pieter Aertsen (1508-1575) 29. Jan van Goyen (1596-1656) 30. Rembrandt (1606-1669)

1. The Annunciation, by Jan van Eyck (1434) 2. The Ghent Altarpiece, by Jan van Eyck (1432) 3. The Adoration of the Lamb, by Jan van Eyck (1432) 4. The Last Judgement, by Hans Memling (1467-1471) 5. The Triptych of the Adoration of the Magi, by Robert Campin (1425-1428) 6. The Triptych of the Crucifixion, by Robert Campin (1420-1425) 7. The Merode Altarpiece, by Robert Campin (1425-1428) 8. The Portinari Altarpiece, by Hugo van der Goes (1475-1476) 9. The Virgin and Child Surrounded by Angels, by Dieric Bouts (1450-1455) 10. The Last Supper, by Dieric Bouts (1464-1467) 11. The Entombment, by Dieric Bouts (1450-1455) 12. The Annunciation, by Dieric Bouts (1450-1455) 13. The Seven Sacraments Altarpiece, by Rogier van der Weyden (1445-1450) 14. The Descent from the Cross, by Rogier van der Weyden (1435) 15. The Beaune Altarpiece, by Rogier van der Weyden (1450) 16. The Braque Triptych, by Rogier van der Weyden (1450-1455) 17. The Miraflores Altarpiece, by Juan de Flandes (1490-1499) 18. The Adoration of the Magi, by Gerard David (1500) 19. The Baptism of Christ, by Gerard David (1505) 20. The Last Judgement, by Gerard David (1515) 21. The Virgin and Child Surrounded by Saints, by Hans Memling (1470) 22. The Triptych of the Adoration of the Magi, by Hugo van der Goes (1470-1478) 23. The Triptych of the Nativity, by Hugo van der Goes (1470-1478) 24. The Triptych of the Crucifixion, by Hugo van der Goes (1470-1478) 25. The Portinari Altarpiece, by Hugo van der Goes (1475-1476) 26. The Adoration of the Magi, by Gerard David (1500) 27. The Baptism of Christ, by Gerard David (1505) 28. The Last Judgement, by Gerard David (1515) 29. The Virgin and Child Surrounded by Saints, by Hans Memling (1470) 30. The Triptych of the Adoration of the Magi, by Hugo van der Goes (1470-1478)

Detailed Description

Early Netherlandish art is a style of painting and sculpture that flourished in the Burgundian Netherlands from the late 14th century to the early 16th century. The Burgundian Netherlands were a territory of the Holy Roman Empire encompassing what is now the Netherlands, Belgium, Luxembourg, and parts of northern France and southwestern Germany. Famous Early Netherlandish artists include Jan van Eyck, Rogier van der Weyden, Hans Memling, and Gerard David. Notable Early Netherlandish paintings include van Eyck’s “Ghent Altarpiece” and “Arnolfini Portrait”, Memling’s “Last Judgement”, and David’s “Lamentation of Christ”. Early Netherlandish art is characterized by its use of naturalistic details, bright colors, and intricate patterns. It is often seen as a transitional style between the Gothic and Renaissance periods.

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Known Artists

1. Jan van Eyck (1390-1441) 2. Rogier van der Weyden (1399/1400-1464) 3. Hans Memling (1430-1491) 4. Gerard David (1460-1523) 5. Petrus Christus (1410/20-1475/76) 6. Dirk Bouts (1415/20-1475) 7. Joachim Patinir (1480-1524) 8. Simon Marmion (1425-1489) 9. Hugo van der Goes (1440-1482) 10. Geertgen tot Sint Jans (1460/70-1495) 11. Matthias Grunewald (1470-1528) 12. Lucas Cranach the Elder (1472-1553) 13. Albrecht Dürer (1471-1528) 14. Pieter Bruegel the Elder (c. 1525-1569) 15. Hieronymus Bosch (c. 1450-1516) 16. Jan Provoost (1462-1529) 17. Gerard Horenbout (1465-1541) 18. Lucas Gassel (1481-1532) 19. Jan van Scorel (1495-1562) 20. Maarten van Heemskerck (1498-1574) 21. Frans Floris (1519-1570) 22. Anthonis Mor (1516-1576) 23. Dirck Volckertszoon Coornhert (1522-1590) 24. Jan Mabuse (1478-1532) 25. Joos van Cleve (c. 1485-1540/41) 26. Bernard van Orley (1491-1541) 27. Lambert Lombard (1505-1566) 28. Pieter Aertsen (1508-1575) 29. Jan van Goyen (1596-1656) 30. Rembrandt (1606-1669)

Known Paintings / Pictures / Images

1. The Annunciation, by Jan van Eyck (1434) 2. The Ghent Altarpiece, by Jan van Eyck (1432) 3. The Adoration of the Lamb, by Jan van Eyck (1432) 4. The Last Judgement, by Hans Memling (1467-1471) 5. The Triptych of the Adoration of the Magi, by Robert Campin (1425-1428) 6. The Triptych of the Crucifixion, by Robert Campin (1420-1425) 7. The Merode Altarpiece, by Robert Campin (1425-1428) 8. The Portinari Altarpiece, by Hugo van der Goes (1475-1476) 9. The Virgin and Child Surrounded by Angels, by Dieric Bouts (1450-1455) 10. The Last Supper, by Dieric Bouts (1464-1467) 11. The Entombment, by Dieric Bouts (1450-1455) 12. The Annunciation, by Dieric Bouts (1450-1455) 13. The Seven Sacraments Altarpiece, by Rogier van der Weyden (1445-1450) 14. The Descent from the Cross, by Rogier van der Weyden (1435) 15. The Beaune Altarpiece, by Rogier van der Weyden (1450) 16. The Braque Triptych, by Rogier van der Weyden (1450-1455) 17. The Miraflores Altarpiece, by Juan de Flandes (1490-1499) 18. The Adoration of the Magi, by Gerard David (1500) 19. The Baptism of Christ, by Gerard David (1505) 20. The Last Judgement, by Gerard David (1515) 21. The Virgin and Child Surrounded by Saints, by Hans Memling (1470) 22. The Triptych of the Adoration of the Magi, by Hugo van der Goes (1470-1478) 23. The Triptych of the Nativity, by Hugo van der Goes (1470-1478) 24. The Triptych of the Crucifixion, by Hugo van der Goes (1470-1478) 25. The Portinari Altarpiece, by Hugo van der Goes (1475-1476) 26. The Adoration of the Magi, by Gerard David (1500) 27. The Baptism of Christ, by Gerard David (1505) 28. The Last Judgement, by Gerard David (1515) 29. The Virgin and Child Surrounded by Saints, by Hans Memling (1470) 30. The Triptych of the Adoration of the Magi, by Hugo van der Goes (1470-1478)

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What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

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It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

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