De Stijl :.

De Stijl

Outline:

Overview and quickfacts

De Stijl was a Dutch artistic movement founded in 1917. The style is characterized by its use of simple geometric forms, often in combination with primary colors and black and white. De Stijl artists believed that this style could represent an ideal harmony between different elements in the world.

The art style is also known as: Style, fashion, look, appearance, manner, mode, way.
Categories: Impressionism, Modernism

1. Piet Mondrian (1872-1944) 2. Gerrit Rietveld (1888-1964) 3. Theo van Doesburg (1883-1931) 4. Vilmos Huszar (1884-1960) 5. Bart van der Leck (1876-1958) 6. Piet Zwart (1885-1977) 7. Antoine Pevsner (1886-1962) 8. Naum Gabo (1890-1977) 9. László Moholy-Nagy (1895-1946) 10. Alexander Rodchenko (1891-1956) 11. El Lissitzky (1890-1941) 12. Kazimir Malevich (1879-1935) 13. Vladimir Tatlin (1885-1953) 14. Lyubov Popova (1889-1924) 15. Varvara Stepanova (1894-1958) 16. Aleksandra Ekster (1882-1949) 17. Olga Rozanova (1886-1918) 17. Nadezhda Udaltsova (1886-1961) 18. Mikhail Larionov (1881-1964) 19. Natalia Goncharova (1881-1962) 20. Liubov Popova (1889-1924) 21. Varvara Stepanova (1894-1958) 22. Aleksandra Ekster (1882-1949) 23. Olga Rozanova (1886-1918) 24. Nadezhda Udaltsova (1886-1961) 25. Mikhail Larionov (1881-1964) 26. Natalia Goncharova (1881-1962) 27. Mikhail Matyushin (1861-1934) 28. Ivan Puni (1892-1956) 29. Nikolai Suetin (1897-1954) 30. Vsevolod Meyerhold (1874-1940)

1. Red and Blue Chair, Gerrit Rietveld, 1917 2. Composition with Yellow, Blue, and Red, Piet Mondrian, 1921 3. Table with Pink Tablecloth, Gerrit Rietveld, 1922 4. Still Life with Gingerpot II, Piet Mondrian, 1923 5. Spatial Concept – Lozenge Composition, Piet Mondrian, 1923 6. Spatial Concept – Lozenge Composition with Black, Piet Mondrian, 1923 7. Composition A, Piet Mondrian, 1924 8. Composition with Blue and Yellow, Piet Mondrian, 1925 9. Composition with Red, Yellow, and Blue, Piet Mondrian, 1925 10. Table with Pink Tablecloth and Blue Flower Vase, Gerrit Rietveld, 1925 11. The Red and the Black, Piet Mondrian, 1925 12. Composition with Red, Yellow, and Blue, Piet Mondrian, 1926 13. Table with Green Tablecloth, Gerrit Rietveld, 1926 14. Still Life with Gingerpot III, Piet Mondrian, 1926 15. Still Life with Gingerpot IV, Piet Mondrian, 1926 16. Composition with Yellow, Blue, and Red, Piet Mondrian, 1927 17. Table with Green Tablecloth and Red Flower Vase, Gerrit Rietveld, 1927 18. Still Life with Gingerpot V, Piet Mondrian, 1927 19. Still Life with Gingerpot VI, Piet Mondrian, 1927 20. Table with Green Tablecloth and Blue Flower Vase, Gerrit Rietveld, 1928 21. Still Life with Gingerpot VII, Piet Mondrian, 1928 22. Still Life with Gingerpot VIII, Piet Mondrian, 1928 23. Table with Green Tablecloth and Yellow Flower Vase, Gerrit Rietveld, 1929 24. Still Life with Gingerpot IX, Piet Mondrian, 1929 25. Still Life with Gingerpot X, Piet Mondrian, 1929 26. Table with Green Tablecloth and Red Flower Vase, Gerrit Rietveld, 1930 27. Still Life with Gingerpot XI, Piet Mondrian, 1930 28. Still Life with Gingerpot XII, Piet Mondrian, 1930 29. Table with Green Tablecloth and Blue Flower Vase, Gerrit Rietveld, 1931 30. Still Life with Gingerpot XIII, Piet Mondrian, 1931

Detailed Description

De Stijl, Dutch for “The Style”, was a Dutch art movement founded in 1917. The De Stijl consisted of artists and architects. In a narrower sense, the term De Stijl is used to refer to a body of work from 1917 to 1931 founded in the Netherlands. Proponents of De Stijl advocated pure abstraction and universality by a reduction to the essentials of form and colour; they simplified visual compositions to the geometric forms of the square, the rectangle, the trapezoid, the circle, and the line. De Stijl is also the name of a journal that was published by the Dutch artist, critic, and architect Theo van Doesburg that served to propagate the group’s theories. The artistic philosophy that formed a basis for the group’s work is known as Neoplasticism—the new art. Famous artists associated with the De Stijl movement include Piet Mondrian, Gerrit Rietveld, and Theo van Doesburg. Notable paintings from the De Stijl period include Mondrian’s Composition with Red, Yellow, and Blue and Composition with Gray and Black, and Rietveld’s Red and Blue Chair.

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Artists and Paintings

Known Artists

1. Piet Mondrian (1872-1944) 2. Gerrit Rietveld (1888-1964) 3. Theo van Doesburg (1883-1931) 4. Vilmos Huszar (1884-1960) 5. Bart van der Leck (1876-1958) 6. Piet Zwart (1885-1977) 7. Antoine Pevsner (1886-1962) 8. Naum Gabo (1890-1977) 9. László Moholy-Nagy (1895-1946) 10. Alexander Rodchenko (1891-1956) 11. El Lissitzky (1890-1941) 12. Kazimir Malevich (1879-1935) 13. Vladimir Tatlin (1885-1953) 14. Lyubov Popova (1889-1924) 15. Varvara Stepanova (1894-1958) 16. Aleksandra Ekster (1882-1949) 17. Olga Rozanova (1886-1918) 17. Nadezhda Udaltsova (1886-1961) 18. Mikhail Larionov (1881-1964) 19. Natalia Goncharova (1881-1962) 20. Liubov Popova (1889-1924) 21. Varvara Stepanova (1894-1958) 22. Aleksandra Ekster (1882-1949) 23. Olga Rozanova (1886-1918) 24. Nadezhda Udaltsova (1886-1961) 25. Mikhail Larionov (1881-1964) 26. Natalia Goncharova (1881-1962) 27. Mikhail Matyushin (1861-1934) 28. Ivan Puni (1892-1956) 29. Nikolai Suetin (1897-1954) 30. Vsevolod Meyerhold (1874-1940)

Known Paintings / Pictures / Images

1. Red and Blue Chair, Gerrit Rietveld, 1917 2. Composition with Yellow, Blue, and Red, Piet Mondrian, 1921 3. Table with Pink Tablecloth, Gerrit Rietveld, 1922 4. Still Life with Gingerpot II, Piet Mondrian, 1923 5. Spatial Concept – Lozenge Composition, Piet Mondrian, 1923 6. Spatial Concept – Lozenge Composition with Black, Piet Mondrian, 1923 7. Composition A, Piet Mondrian, 1924 8. Composition with Blue and Yellow, Piet Mondrian, 1925 9. Composition with Red, Yellow, and Blue, Piet Mondrian, 1925 10. Table with Pink Tablecloth and Blue Flower Vase, Gerrit Rietveld, 1925 11. The Red and the Black, Piet Mondrian, 1925 12. Composition with Red, Yellow, and Blue, Piet Mondrian, 1926 13. Table with Green Tablecloth, Gerrit Rietveld, 1926 14. Still Life with Gingerpot III, Piet Mondrian, 1926 15. Still Life with Gingerpot IV, Piet Mondrian, 1926 16. Composition with Yellow, Blue, and Red, Piet Mondrian, 1927 17. Table with Green Tablecloth and Red Flower Vase, Gerrit Rietveld, 1927 18. Still Life with Gingerpot V, Piet Mondrian, 1927 19. Still Life with Gingerpot VI, Piet Mondrian, 1927 20. Table with Green Tablecloth and Blue Flower Vase, Gerrit Rietveld, 1928 21. Still Life with Gingerpot VII, Piet Mondrian, 1928 22. Still Life with Gingerpot VIII, Piet Mondrian, 1928 23. Table with Green Tablecloth and Yellow Flower Vase, Gerrit Rietveld, 1929 24. Still Life with Gingerpot IX, Piet Mondrian, 1929 25. Still Life with Gingerpot X, Piet Mondrian, 1929 26. Table with Green Tablecloth and Red Flower Vase, Gerrit Rietveld, 1930 27. Still Life with Gingerpot XI, Piet Mondrian, 1930 28. Still Life with Gingerpot XII, Piet Mondrian, 1930 29. Table with Green Tablecloth and Blue Flower Vase, Gerrit Rietveld, 1931 30. Still Life with Gingerpot XIII, Piet Mondrian, 1931

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The positive Future

What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

System response / 27.11.2022

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What an AI system (OpenAI – textdavinci002) tells us about a negative future of humans and AI:

It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

System response / 27.11.2022