Concrete art :.

Concrete art

Outline:

Overview and quickfacts

Concrete art is a type of art that is based on the use of concrete as a medium. Concrete art can be either sculptural or painting. Concrete art is often associated with the Bauhaus movement and De Stijl.

The art style is also known as: Abstract art
Categories: Impressionism, Modernism

1. Carl Andre (b. 1935) 2. Richard Long (b. 1945) 3. Robert Smithson (1938-1973) 4. Nancy Holt (1938-2014) 5. Michael Heizer (b. 1944) 6. Walter De Maria (1935-2013) 7. Robert Morris (b. 1931) 8. Richard Serra (b. 1939) 9. Bruce Nauman (b. 1941) 10. Eva Hesse (1936-1970) 11. Sol LeWitt (1928-2007) 12. Lawrence Weiner (b. 1942) 13. On Kawara (1933-2014) 14. Yoko Ono (b. 1933) 15. John Cage (1912-1992) 16. Merce Cunningham (1919-2009) 17. Robert Rauschenberg (1925-2008) 18. Jasper Johns (b. 1930) 19. Cy Twombly (1928-2011) 20. Ed Ruscha (b. 1937) 21. Yves Klein (1928-1962) 22. Piero Manzoni (1933-1963) 23. Lucio Fontana (1899-1968) 24. Arman (1928-2005) 25. Christo (b. 1935) 26. Jeanne-Claude (1935-2009) 27. Gordon Matta-Clark (1943-1978) 28. Dan Flavin (1933-1996) 29. Donald Judd (1928-1994) 30. John McCracken (1934-2011)

1. “Concrete Art in America” by Jackson Pollock, 1951 2. “Ascension” by Barnett Newman, 1966 3. “One” by Clyfford Still, 1957 4. “Black Paintings” by Ad Reinhardt, 1966 5. “White Paintings” by Robert Rauschenberg, 1951 6. “Gray Paintings” by Franz Kline, 1950 7. “Color Field Paintings” by Mark Rothko, 1949 8. “Lavender Mist” by Jackson Pollock, 1950 9. “Number 1” by Barnett Newman, 1950 10. “Number 2” by Clyfford Still, 1951 11. “Number 3” by Ad Reinhardt, 1952 12. “Number 4” by Robert Rauschenberg, 1953 13. “Number 5” by Franz Kline, 1954 14. “Number 6” by Mark Rothko, 1955 15. “Number 7” by Jackson Pollock, 1956 16. “Number 8” by Barnett Newman, 1957 17. “Number 9” by Clyfford Still, 1958 18. “Number 10” by Ad Reinhardt, 1959 19. “Number 11” by Robert Rauschenberg, 1960 20. “Number 12” by Franz Kline, 1961 21. “Number 13” by Mark Rothko, 1962 22. “Number 14” by Jackson Pollock, 1963 23. “Number 15” by Barnett Newman, 1964 24. “Number 16” by Clyfford Still, 1965 25. “Number 17” by Ad Reinhardt, 1966 26. “Number 18” by Robert Rauschenberg, 1967 27. “Number 19” by Franz Kline, 1968 28. “Number 20” by Mark Rothko, 1969 29. “Number 21” by Jackson Pollock, 1970 30. “Number 22” by Barnett Newman, 1971

Detailed Description

Concrete art is a type of art that uses concrete as its primary medium. Concrete is a material that is made up of cement, aggregate, and water. It is a versatile material that can be used to create a variety of textures, shapes, and colors. Concrete art emerged in the early 20th century as an offshoot of the Constructivist movement. Constructivism was an artistic and architectural movement that emphasized the use of industrial materials and techniques to create functional works of art. Concrete artists took this one step further by using concrete as their primary medium. Some of the most famous concrete artists include Pablo Picasso, Le Corbusier, and Louise Nevelson. Picasso famously used concrete to create his sculpture, “Bust of a Woman.” Le Corbusier used concrete to create his iconic Chapel at Notre Dame du Haut. Nevelson is known for her large-scale sculptures made from concrete, wood, and metal. Concrete art is often seen as cold and impersonal. However, it can also be used to create beautiful and evocative works of art.

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Artists and Paintings

Known Artists

1. Carl Andre (b. 1935) 2. Richard Long (b. 1945) 3. Robert Smithson (1938-1973) 4. Nancy Holt (1938-2014) 5. Michael Heizer (b. 1944) 6. Walter De Maria (1935-2013) 7. Robert Morris (b. 1931) 8. Richard Serra (b. 1939) 9. Bruce Nauman (b. 1941) 10. Eva Hesse (1936-1970) 11. Sol LeWitt (1928-2007) 12. Lawrence Weiner (b. 1942) 13. On Kawara (1933-2014) 14. Yoko Ono (b. 1933) 15. John Cage (1912-1992) 16. Merce Cunningham (1919-2009) 17. Robert Rauschenberg (1925-2008) 18. Jasper Johns (b. 1930) 19. Cy Twombly (1928-2011) 20. Ed Ruscha (b. 1937) 21. Yves Klein (1928-1962) 22. Piero Manzoni (1933-1963) 23. Lucio Fontana (1899-1968) 24. Arman (1928-2005) 25. Christo (b. 1935) 26. Jeanne-Claude (1935-2009) 27. Gordon Matta-Clark (1943-1978) 28. Dan Flavin (1933-1996) 29. Donald Judd (1928-1994) 30. John McCracken (1934-2011)

Known Paintings / Pictures / Images

1. “Concrete Art in America” by Jackson Pollock, 1951 2. “Ascension” by Barnett Newman, 1966 3. “One” by Clyfford Still, 1957 4. “Black Paintings” by Ad Reinhardt, 1966 5. “White Paintings” by Robert Rauschenberg, 1951 6. “Gray Paintings” by Franz Kline, 1950 7. “Color Field Paintings” by Mark Rothko, 1949 8. “Lavender Mist” by Jackson Pollock, 1950 9. “Number 1” by Barnett Newman, 1950 10. “Number 2” by Clyfford Still, 1951 11. “Number 3” by Ad Reinhardt, 1952 12. “Number 4” by Robert Rauschenberg, 1953 13. “Number 5” by Franz Kline, 1954 14. “Number 6” by Mark Rothko, 1955 15. “Number 7” by Jackson Pollock, 1956 16. “Number 8” by Barnett Newman, 1957 17. “Number 9” by Clyfford Still, 1958 18. “Number 10” by Ad Reinhardt, 1959 19. “Number 11” by Robert Rauschenberg, 1960 20. “Number 12” by Franz Kline, 1961 21. “Number 13” by Mark Rothko, 1962 22. “Number 14” by Jackson Pollock, 1963 23. “Number 15” by Barnett Newman, 1964 24. “Number 16” by Clyfford Still, 1965 25. “Number 17” by Ad Reinhardt, 1966 26. “Number 18” by Robert Rauschenberg, 1967 27. “Number 19” by Franz Kline, 1968 28. “Number 20” by Mark Rothko, 1969 29. “Number 21” by Jackson Pollock, 1970 30. “Number 22” by Barnett Newman, 1971

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The positive Future

What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

System response / 27.11.2022

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What an AI system (OpenAI – textdavinci002) tells us about a negative future of humans and AI:

It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

System response / 27.11.2022