American realism :.

American realism

Outline:

Overview and quickfacts

American realism was a style of art that emerged in the late 1800s and early 1900s. American artists began to move away from the idealized and romanticized images of the past and instead began to paint scenes from everyday life. This new style of art was often seen as a reaction to the Industrial Revolution and the growing social and economic problems that came with it. American realism often depicted the harsh realities of poverty, racism, and violence.

The art style is also known as: realism, naturalism, verisimilitude
Categories: Impressionism, Modernism

1. William Merritt Chase (1849-1916) 2. Thomas Eakins (1844-1916) 3. John Singer Sargent (1856-1925) 4. Frederic Remington (1861-1909) 5. Mary Cassatt (1844-1926) 6. Winslow Homer (1836-1910) 7. Edward Hopper (1882-1967) 8. Andrew Wyeth (1917-2009) 9. Jackson Pollock (1912-1956) 10. Mark Rothko (1903-1970) 11. Georgia O’Keeffe (1887-1986) 12. Jim Dine (b. 1935) 13. Robert Rauschenberg (1925-2008) 14. Roy Lichtenstein (1923-1997) 15. Claes Oldenburg (b. 1929) 16. David Hockney (b. 1937) 17. Richard Diebenkorn (1922-1993) 18. Chuck Close (b. 1940) 19. Brice Marden (b. 1938) 20. John Baldessari (b. 1931) 21. Barbara Kruger (b. 1945) 22. Cindy Sherman (b. 1954) 23. Richard Serra (b. 1939) 24. Robert Longo (b. 1953) 25. Jean-Michel Basquiat (1960-1988) 26. Julian Schnabel (b. 1951) 27. Keith Haring (1958-1990) 28. Kenny Scharf (b. 1958) 29. Peter Halley (b. 1953) 30. Ross Bleckner (b. 1949)

1. American Gothic, Grant Wood, 1930 2. The Hay Wagon, Andrew Wyeth, 1953 3. Christina’s World, Andrew Wyeth, 1948 4. The Promised Land, Edward Hopper, 1943 5. Nighthawks, Edward Hopper, 1942 6. Automat, Edward Hopper, 1927 7. New York Movie, Edward Hopper, 1939 8. Office in a Small City, Edward Hopper, 1953 9. Early Sunday Morning, Edward Hopper, 1930 10. Rooms by the Sea, Edward Hopper, 1951 11. Cape Cod Evening, Edward Hopper, 1939 12. Chop Suey, Edward Hopper, 1929 13. A Woman in the Sun, Edward Hopper, 1961 14. Morning in a City, Edward Hopper, 1944 15. Girl at a Window, Edward Hopper, 1955 16. Summertime, Edward Hopper, 1943 17. Compartment C, Car 293, Edward Hopper, 1938 18. New York Central, Edward Hopper, 1953 19. Pennsylvania Coal Town, Edward Hopper, 1947 20. Seven A.M., Edward Hopper, 1948 21. Soir Bleu, Edward Hopper, 1914 22. Sun in an Empty Room, Edward Hopper, 1963 23. The Long Leg, Edward Hopper, 1935 24. The Open Door, Edward Hopper, 1943 25. Western Motel, Edward Hopper, 1957 26. Wind from the Sea, Andrew Wyeth, 1947 27. The Bedroom, Vincent van Gogh, 1888 28. The Night Café, Vincent van Gogh, 1888 29. Wheat Field with Cypresses, Vincent van Gogh, 1889 30. Starry Night, Vincent van Gogh, 1889

Detailed Description

American Realism was an artistic movement that began in the late 1800s in the United States. This movement is often associated with the works of artists such as Thomas Eakins, Winslow Homer, and Andrew Wyeth. American Realism sought to capture everyday life in a realistic and honest way. This was in contrast to the idealized and often romanticized paintings of earlier movements such as the Hudson River School. One of the most famous American Realist paintings is Eakins’ The Gross Clinic. This painting depicts a doctor giving a lecture on surgery while a group of students look on. Eakins’ use of light and shadow creates a sense of depth and realism that was not often seen in paintings of this time period. Another well-known American Realist painter is Andrew Wyeth. Wyeth is known for his paintings of rural Pennsylvania, where he grew up. His paintings often feature simple, everyday scenes such as farmers working in their fields or people walking down a country road. Wyeth’s work is characterized by its muted colors and realistic style. The American Realism movement was a reaction against the idealized and often unrealistic paintings of earlier movements. Artists associated with American Realism sought to capture everyday life in a honest and realistic way. This was achieved through the use of light and shadow to create a sense of depth and realism. American Realism is represented by the works of artists such as Thomas Eakins, Winslow Homer, and Andrew Wyeth.

Visual Examples from our image gallery

Coming soon

TOOLs

Artists and Paintings

Known Artists

1. William Merritt Chase (1849-1916) 2. Thomas Eakins (1844-1916) 3. John Singer Sargent (1856-1925) 4. Frederic Remington (1861-1909) 5. Mary Cassatt (1844-1926) 6. Winslow Homer (1836-1910) 7. Edward Hopper (1882-1967) 8. Andrew Wyeth (1917-2009) 9. Jackson Pollock (1912-1956) 10. Mark Rothko (1903-1970) 11. Georgia O’Keeffe (1887-1986) 12. Jim Dine (b. 1935) 13. Robert Rauschenberg (1925-2008) 14. Roy Lichtenstein (1923-1997) 15. Claes Oldenburg (b. 1929) 16. David Hockney (b. 1937) 17. Richard Diebenkorn (1922-1993) 18. Chuck Close (b. 1940) 19. Brice Marden (b. 1938) 20. John Baldessari (b. 1931) 21. Barbara Kruger (b. 1945) 22. Cindy Sherman (b. 1954) 23. Richard Serra (b. 1939) 24. Robert Longo (b. 1953) 25. Jean-Michel Basquiat (1960-1988) 26. Julian Schnabel (b. 1951) 27. Keith Haring (1958-1990) 28. Kenny Scharf (b. 1958) 29. Peter Halley (b. 1953) 30. Ross Bleckner (b. 1949)

Known Paintings / Pictures / Images

1. American Gothic, Grant Wood, 1930 2. The Hay Wagon, Andrew Wyeth, 1953 3. Christina’s World, Andrew Wyeth, 1948 4. The Promised Land, Edward Hopper, 1943 5. Nighthawks, Edward Hopper, 1942 6. Automat, Edward Hopper, 1927 7. New York Movie, Edward Hopper, 1939 8. Office in a Small City, Edward Hopper, 1953 9. Early Sunday Morning, Edward Hopper, 1930 10. Rooms by the Sea, Edward Hopper, 1951 11. Cape Cod Evening, Edward Hopper, 1939 12. Chop Suey, Edward Hopper, 1929 13. A Woman in the Sun, Edward Hopper, 1961 14. Morning in a City, Edward Hopper, 1944 15. Girl at a Window, Edward Hopper, 1955 16. Summertime, Edward Hopper, 1943 17. Compartment C, Car 293, Edward Hopper, 1938 18. New York Central, Edward Hopper, 1953 19. Pennsylvania Coal Town, Edward Hopper, 1947 20. Seven A.M., Edward Hopper, 1948 21. Soir Bleu, Edward Hopper, 1914 22. Sun in an Empty Room, Edward Hopper, 1963 23. The Long Leg, Edward Hopper, 1935 24. The Open Door, Edward Hopper, 1943 25. Western Motel, Edward Hopper, 1957 26. Wind from the Sea, Andrew Wyeth, 1947 27. The Bedroom, Vincent van Gogh, 1888 28. The Night Café, Vincent van Gogh, 1888 29. Wheat Field with Cypresses, Vincent van Gogh, 1889 30. Starry Night, Vincent van Gogh, 1889

Additional Ressources, Links directly pointing to landing pages and so on.

AI ART RESSOURCES


Helping tools -> predefined search links on other pages:



Information around Art created with and by AI. Human in the loop, or human out of the loop. Everything possible.



Created:

Updated:


ai-thoughts (1) DALLE2 (1) DALLEANDME (1) Fun (2) future (1) humans (1) MEANDDALLE (1) openai (1) prognosis (1) technlogy (1)

The Art of AI



The Art of AI Website


Art generated and/or created by human intelligience, this is what this webpage is about.

Information around the art of AI, projects, finds, help, tips and insights collected on the way.

Results and snapshots of an ongoing project.

The positive Future

What an AI system (OpenAI – textdavinci002) tells us about a positive future of humans and AI:

So what does the future hold for humans and machines? It is likely that both humans and machines will continue to play important roles in the future. Machines will become increasingly capable and will be used for tasks that are too difficult or time-consuming for humans. Humans, on the other hand, will continue to provide the important advantages of empathy, common sense, adaptation, and creativity. As a result, the future looks bright for both humans and machines.

System response / 27.11.2022

The Negative Futrue

What an AI system (OpenAI – textdavinci002) tells us about a negative future of humans and AI:

It’s possible that we’ll find a way to coexist with intelligent machines. We might, for example, use them to do the boring and dangerous jobs that we don’t want to do. We could also use them to augment our own intelligence, making us smarter and more productive. But it’s also possible that AI will eventually outcompete us, leading to our extinction. After all, if intelligent machines can do everything we can do, but better, then why would anyone want to keep us around? Only time will tell what the future of human-AI relations will be. But one thing is certain: the rise of artificial intelligence presents a grave threat to the future of humanity.

System response / 27.11.2022